Suspended in Bloom

At the opening of Conrad Tokyo, the ceiling itself became our canvas. From above, monumental floral structures descended, vast in scale yet intricate in detail, suspended like living sculptures. They hovered between architecture and nature, their rhythm echoing the grandeur of the new hotel while whispering the delicate poetry of flowers.

Each piece was more than decoration, it was a statement of harmony. Bamboo, blossoms, and light were interwoven into a choreography of textures, as though the entire space had been lifted into bloom. Guests entered not only a hotel, but an atmosphere suspended between tradition and innovation, Japan and Belgium, structure and dream.

In this moment, the Flower House redefined what floral art could be: not bound to earth, but elevated, architectural, and eternal in memory.